The Orielles formed in Halifax, England when sisters Sidonie B Hand-Halford and Esmé Dee Hand-Halford met Henry Carlyle Wade at a birthday party. Still in their teens, the threesome bonded over a love of ’90s music like the Pixies and Sonic Youth, as well as the films of Quentin Tarantino, and began writing songs together. With Esmé on vocals and bass, Sidonie on drums, and Henry on guitar, the trio crafted a sound that brought in influences as far afield as Afro-pop, disco-funk, baggy dance music, and indie pop.
Defiant in the face of existential dread, The Orielles were always going to approach their second album with nothing but stellar levels of intent. Disco Volador sees the 4-piece push their sonic horizon to its outer limits as astral travellers, hitching a ride on the melodic skyway to evade the space-time continuum through a sharp collection of progressive strato-pop symphonies.
“Its literal interpretation from Spanish means flying disc but everyone experiences things differently. Disco Volador could be a frisbee, a UFO, an alien nightclub or how you feel when you fly; what happens to your body physically or that euphoric buzz from a great party,” suggests bassist and singer, Esme. “But it is an album of escape; if I went to space, I might not come back.”