A trio of deep-thinkin’ rippers, Canada’s Motherhood achieve one very rare and uncomplicated feat: they sound EXCITING on record and stage alike. Unlike so many awkward experiments by peers and ‘adventurous’ contemporary rock outfits, Motherhood’s music explodes with the kind of charm and exuberance you can’t just order. No, it’d take years of late nite couch-crumpled conversations, bathroom stall barfs and parking lot laughter to achieve the kind of chemistry these three exude. If we’re calling this art rock, it’s because, in 2019, commitment is a precious art indeed. And make no mistake, Motherhood is all about commitment.
Brydon Crain (guitar, vocals), Penelope Stevens (bass, keys, vocals) and Adam Sipkema (drums) have been linking arms and running into rock n’ roll oblivion repeatedly for the past eight years. Like cowpunk without the jadedness, dust rock without the drymouth; a thinkin’ people’s union for the fearless 21st.